Last week Daughter #1, Beloved Grandson and me made a trip across the big Valley to Santa Clara....On the way there we past a forest of these....each one about 5 - 6 foot tall and all smooshed together like a corn maze.....
At first I thought it was a giant milk thistle forest.
Then my brain came to life and I realized it was a forest of giant artichokes
...and bummer of bummers I had no camera.
I've seen artichoke groves
(I really don't know that they're called groves)
before, but never acres of giant ones.
On the return trip we stopped at the little fruit stand to buy fruit and to investigate...
Beloved Grandson and I decided to go into this amazing forest just far enough to 'feel it'. When we came out the owner of the forest was there and he came over to share with us that these giants were an experiment that went wrong while trying to create abigger, badder, better, artichoke....
seems it got big but has no 'meat'.
So they were allowing them to, 'go to seed
'....He offered BG one to take home and of course we both liked that idea....
thus the picture....
I think it's about 8 inches across! But no meat.
What this has to do with artistic distraction is probably clear......
Is writing about artichokes really interesting or important in any way? Am I just avoiding the trip to the studio?...which may not come today because it was been sooooo freaking hot!!
....once the temp goes over 100 here it is too much for the little air conditioner in
my studio to deal with...
My studio is not very well insulated and the lights are hot.
So an excuse to not go, or a good reason???
"There is always a slight tendency of the body to sabotage the attention of the mind by proving some distraction." Stephen Spender
I realize I can always find a distraction or reason to stay out of my studio...what I need to do is learn to overcome the thing (things) that trigger the NO I say when its time to do the work of creating.
I believe a big part of the studio anxiety, or whatever it might be called, is the desire not to just create something, but to create something that lives....
something that breathes and takes on a life of it's own.
I want my Spirit Figures to touch people, to be something worth loving. Something that becomes part of their journey.........
but first the process needs to turn me on, touch me, make me feel alive...make me
want to love it.
In creating a figure there might be 100 stops and starts, every time I allow a distraction
to take me from the work, I must start again...
a 100 time that I need to judge....
That stepping back and trying to see with other eyes.
I'll have been in the high zone, in the moment, making choices, appraising, changing, having fun and then
along comes the critic!
Sometimes with the attitude of,
'come on julie, what were you thinking?....
THEY will find out your not an artist and then what?"
I remember how long it took me to even say, "I'm an artist."
"Sure I have self-doubts. I just spent three days trying to paint a to-inch rock and thought maybe I'd be better off wrapping produce in a supermarket."....Maria Mijares
It's important here that I don't come across as whining about how hard it is......
I do love what I do.
Really it's more of an observation.
Me trying to get more in touch with the creative process.
I have a neck injury and once a week for the past 3 or so years I go to a massage therapist...
We often talk through the first 20 minutes or so, but I have come to trust her and the process so much that when she says,
'ok, it's time to relax, let everything go', I do and I'm gone into the zone.
That's what I want from the beginnings of the creative day...I want to trust the process so much that as soon as I say, 'ok, it's time to create, let everything else go'...I do it.
"The artistic impulse seems not to wish to produce finished work. It certainly deserts us halfway, after the idea is born; and if we go on, art is labor..." Clarence Day
At first I thought it was a giant milk thistle forest.
Then my brain came to life and I realized it was a forest of giant artichokes
...and bummer of bummers I had no camera.
I've seen artichoke groves
(I really don't know that they're called groves)
before, but never acres of giant ones.
On the return trip we stopped at the little fruit stand to buy fruit and to investigate...
Beloved Grandson and I decided to go into this amazing forest just far enough to 'feel it'. When we came out the owner of the forest was there and he came over to share with us that these giants were an experiment that went wrong while trying to create abigger, badder, better, artichoke....
seems it got big but has no 'meat'.
So they were allowing them to, 'go to seed
'....He offered BG one to take home and of course we both liked that idea....
thus the picture....
I think it's about 8 inches across! But no meat.
What this has to do with artistic distraction is probably clear......
Is writing about artichokes really interesting or important in any way? Am I just avoiding the trip to the studio?...which may not come today because it was been sooooo freaking hot!!
....once the temp goes over 100 here it is too much for the little air conditioner in
my studio to deal with...
My studio is not very well insulated and the lights are hot.
So an excuse to not go, or a good reason???
"There is always a slight tendency of the body to sabotage the attention of the mind by proving some distraction." Stephen Spender
I realize I can always find a distraction or reason to stay out of my studio...what I need to do is learn to overcome the thing (things) that trigger the NO I say when its time to do the work of creating.
I believe a big part of the studio anxiety, or whatever it might be called, is the desire not to just create something, but to create something that lives....
something that breathes and takes on a life of it's own.
I want my Spirit Figures to touch people, to be something worth loving. Something that becomes part of their journey.........
but first the process needs to turn me on, touch me, make me feel alive...make me
want to love it.
In creating a figure there might be 100 stops and starts, every time I allow a distraction
to take me from the work, I must start again...
a 100 time that I need to judge....
That stepping back and trying to see with other eyes.
I'll have been in the high zone, in the moment, making choices, appraising, changing, having fun and then
along comes the critic!
Sometimes with the attitude of,
'come on julie, what were you thinking?....
THEY will find out your not an artist and then what?"
I remember how long it took me to even say, "I'm an artist."
"Sure I have self-doubts. I just spent three days trying to paint a to-inch rock and thought maybe I'd be better off wrapping produce in a supermarket."....Maria Mijares
It's important here that I don't come across as whining about how hard it is......
I do love what I do.
Really it's more of an observation.
Me trying to get more in touch with the creative process.
I have a neck injury and once a week for the past 3 or so years I go to a massage therapist...
We often talk through the first 20 minutes or so, but I have come to trust her and the process so much that when she says,
'ok, it's time to relax, let everything go', I do and I'm gone into the zone.
That's what I want from the beginnings of the creative day...I want to trust the process so much that as soon as I say, 'ok, it's time to create, let everything else go'...I do it.
"The artistic impulse seems not to wish to produce finished work. It certainly deserts us halfway, after the idea is born; and if we go on, art is labor..." Clarence Day
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